Open Company Classes
Pulaski Park Field House, 1419 W Blackhawk
Every Tuesday we open our class to advanced and professional dancers. Join us in our fieldhouse studio—challenge your technical practice, hone your movement pick-up, strengthen your body, and excite your sense of play-in-motion.
Jan 22 with Philip Elson
Jan 29 no class
Feb 5 with Sarah Gonsiorowski
Feb 12, 19, 26 with Christina Gonzalez-Gillett
“Dancing on Thin Ice”
January 31, 7pm
Rothko Chapel, Houston
The Rothko Chapel, in a co-presentation with Diverseworks, hosts The Seldoms for “Dancing on Thin Ice”, a performance and conversation about our climate crisis. The Seldoms will share an excerpt of Floe, our new dance theater work that explores madness, delusion, oil extraction, the vanishing of Arctic ice, and rising sea levels. Floe embodies the fragmentation of our global conversation on climate change as it veers from anti-science conspiracy theories to the very real impacts of global warming on communities from the Gulf Coast to the Arctic Circle.
The TOOLBOX Project
In July 2017, The Seldoms commenced TOOLBOX, a project dedicated to process and invention. In this first phase, we traveled to Glasgow to work with visual artists Fraser Taylor, Frances Lightbound, Inês Coelho, Callum Rice and Doug Stapleton at House for an Art Lover and The Workroom at Tramway and had a cross-disciplinary dialogue around how to translate visual art tactics into choreographic tactics. Artistic Director Carrie Hanson initiated TOOLBOX as a way to spark new ways of making. The visual artists come out of a wide set of practices including painting, printmaking, sculpture, film, performance, photography, collage and design. Together we shared our processes and terminologies that inform our respective practices, from which Hanson and the dancers assembled a list of action-based words that had resonance with the body, aiming research around prompting movement within the individual’s body, a foundational impulse before moving into choreography. Toolbox will continue to be developed in exchanges with Chicago visual artists.
This project made possible by the John D. and Catherine T. MacArthur Foundation’s International Connections Fund.