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Open Company Classes
Tuesdays, 12-1:15pm
Pulaski Park Field House, 1419 W Blackhawk
$10/class

Every Tuesday we open our class to advanced and professional dancers. Join us in our fieldhouse studio—challenge your technical practice, hone your movement pick-up, strengthen your body, and excite your sense of play-in-motion.
March 5 & 12 with Assistant Director, Christina Gonzalez-Gillett
March 19 & 26 with guest artist/teacher, Sam Horning
**NOTE: no class on February 26

 

“Dancing on Thin Ice”
January 31, 7pm
Rothko Chapel, Houston
INFO

The Rothko Chapel, in a co-presentation with Diverseworks, hosts The Seldoms for “Dancing on Thin Ice”, a performance and conversation about our climate crisis. The Seldoms will share an excerpt of Floe, our new dance theater work that explores madness, delusion, oil extraction, the vanishing of Arctic ice, and rising sea levels. Floe embodies the fragmentation of our global conversation on climate change as it veers from anti-science conspiracy theories to the very real impacts of global warming on communities from the Gulf Coast to the Arctic Circle.

 

SAVE THE DATE!
Summer Intensive 2019
August 19-23

Bring your curiosity, rigorous focus, and good energy to our annual Summer Intensive.  Led by Artistic Director Carrie Hanson, Assistant Director Christina Gonzalez-Gillett, and ensemble members, the week includes sessions in modern/contemporary technique, extended phrasework, repertory, composition, body conditioning PLUS a new component this year—learn/make/explore a new short work created by ensemble member & choreographer Philip Elson.

Full Intensive: $450
Complete information about schedule & registration coming soon.

 

 

The TOOLBOX Project

In July 2017, The Seldoms commenced TOOLBOX,  a project dedicated to process and invention. In this first phase, we traveled to Glasgow to work with visual artists Fraser Taylor, Frances Lightbound, Inês Coelho, Callum Rice and Doug Stapleton at House for an Art Lover  and The Workroom at Tramway and had a cross-disciplinary dialogue around how to translate visual art tactics into choreographic tactics. Artistic Director Carrie Hanson initiated TOOLBOX as a way to spark new ways of making. The visual artists come out of a wide set of practices including painting, printmaking, sculpture, film, performance, photography, collage and design. Together we shared our processes and terminologies that inform our respective practices, from which Hanson and the dancers assembled a list of action-based words that had resonance with the body,  aiming research around prompting movement within the individual’s body, a foundational impulse before moving into choreography. Toolbox will continue to be developed in exchanges with Chicago visual artists.

This project made possible by the John D. and Catherine T. MacArthur Foundation’s International Connections Fund.

 MacArthur block:group