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Carrie Hanson on New City’s “Players 2016: The Fifty People Who Really Perform for Chicago”

Carrie Hanson’s company The Seldoms has long been a vehicle for performance that uses dance theater and stagecraft to question the most pressing concerns of our time, from environmentalism to economics. This year, Hanson and her collaborators took The Seldoms’ theater of inquiry to a breathtaking new level with “Power Goes.” Inspired by the political […]

“Power Goes” named on “Best of Chicago 2015” list

New City “Best of Chicago” 2015 by Sarah Conway Some choreographers make movement for movement’s sake, some are inspired by music or an image, some turn to traditional narrative and folklore as subject matter. And then there’s Carrie Hanson. The artistic director of The Seldoms finds her muse in the headlines, history and the pressing […]

“Power Goes” – Chicago Tribune Review

“With fist jabs and shifting smiles, ‘Power Goes’ is politics of LBJ” by Laura Molzahn, Chicago Tribune Herding cats: Now there’s a skill politicians could use today. Lyndon Baines Johnson, our folksy dictator-president of the ’60s, had it by the ton, alternately muscling and charming his victim-cohorts into obedience, passing the legislation he wanted, including […]

“How To Get Power: The Seldoms Dance with Lyndon Baines Johnson” (an essay by dramaturg Michael J. Kramer)

What I believe is always true about power is that power always reveals. — Robert Caro, Johnson biographer Lyndon Baines Johnson, thirty-sixth president of the United States, was an imposing man. Six foot four, from the destitute Hill Country region of Texas, he had a lust for domination and control that was legendary. His main ambition sometimes […]